feat(web): Wave 4 — prose layouts + /policies on Tailwind typography
diff --git a/content/posts/2026/why-photographers-should-never-be-on-the-dancefloor/index.md b/content/posts/2026/why-photographers-should-never-be-on-the-dancefloor/index.md new file mode 100644 index 0000000..c79d1aa --- /dev/null +++ b/content/posts/2026/why-photographers-should-never-be-on-the-dancefloor/index.md @@ -0,0 +1,39 @@ +--- +title: "Why photographers should never be on the dancefloor" +pubDate: 2026-04-05T20:05:10.000Z +updatedDate: 2026-04-05T20:05:10.000Z +draft: false +excerpt: "A photographer with a flash on the dancefloor is a violation of the space. Not a minor inconvenience — a fundamental disruption of what the dancefloor is supposed to be. … Read more" +categories: + - Scene +tags: + - format-opinion + - music + - tone-confrontational + - venues +featured: + src: https://cdn.slist.net/posts/why-photographers-should-never-be-on-the-dancefloor/cover.png + alt: "Broken camera on empty dark dancefloor" +legacy_wp_id: 15977 +--- +A photographer with a flash on the dancefloor is a violation of the space. Not a minor inconvenience — a fundamental disruption of what the dancefloor is supposed to be. + +## The argument + +The dancefloor is the closest thing the underground has to sacred space. The darkness is deliberate. The fog is deliberate. The absence of visible social hierarchy is deliberate. When a photographer walks through that space with a camera and a flash, they convert every dancer into a subject. They turn participation into content. They make everyone self-conscious about something they were doing unconsciously five seconds ago. +Diff truncated (46 lines total). View full commit on GitHub →
